About us
We are not a tech company
that discovered cinema.
We are distributors. We have been putting Indian films into cinemas around the world for over 15 years, and we built SeatAdmit because we needed it ourselves.
Two companies.
One very long memory.
SeatAdmit is built and owned by Ahimsa Entertainment and Boleyn Cinema — two of the largest names in overseas distribution for Indian cinema. We have released thousands of films in Tamil, Telugu, Malayalam, Hindi and Kannada, and we are still doing it this week.
We are the ones in the room when a release is planned. We are at the premieres and the success meets. We are on the phone with the studios. If something goes wrong with a film we distribute, there is nobody else to blame and nowhere for us to go.
That is not a marketing line. It is the reason this platform can be trusted, and the reason we cannot afford for it to fail.
15+years
releasing Indian films into cinemas overseas
1,000sof films
distributed in Tamil, Telugu, Malayalam, Hindi and Kannada
42countries
where your audience can buy a ticket today
100%of our own tickets
sold on this platform, on every film we release
We know what goes wrong,
because it went wrong to us.
Every distributor reading this has lived through at least one of these three. We have lived through all of them, more than once, and it is why this platform exists.
The report you cannot check
A sub-distributor sends you a number weeks after the run has ended. You have no way to know if it is right. Most of the time it is. Some of the time it is not, and you will never find out which.
The money that arrives late
30 days. A quarter. Sometimes not until the film has left cinemas entirely. Your money sits in someone else's account while you fund the next acquisition out of your own pocket.
The fees your audience pays
You set a ticket at 12 euros. By the time it reaches the person who wants to watch your film, three other companies have added a margin and it costs 19.
We got tired of complaining about it, so we built the answer.
We use it ourselves.
Every single release.
Every ticket for every film we distribute is sold on this platform. Our own money runs through it. If a payment fails, we are the ones who do not get paid. If a number is wrong, it is wrong on our films before it is ever wrong on yours.
A software company can make a mistake, say sorry, and move on. We cannot. We would have to explain it to the same people we will be sitting across from at the next release.
Release with us.
Sell your own tickets. Keep your own numbers. Get your money in a day. You can set up your first screening in minutes, and you do not need a card to start.